Questions tagged [accidentals]

A sign (♯, ♭, ♮) indicating a momentary departure from the key signature by raising or lowering a note a semitone, respectively called sharp, flat and natural (which cancels a previous sharp or flat.The term can also indicate the note raised or lowered. Also found as a double sharp and double flat.

Accidentals come in upward (sharp, ♯) and downward (flat, ♭) variations. If a scale degree that would normally be sharp or flat (e.g. f♯ in the D-major scale) is used as a natural (f), then this is also an accidental, indicated by the neutralizing sign ♮. That sign may also cancel a previously given accidental, but cancelling is only necessary within a measure: each bar line resets everything to the key signature given at the start of each stave.

There also exist special symbols for indicating double-sharp (𝄪) and double-flat (𝄫), i.e. a note change by a two semitones (typically used only, if the first modification was already provided by the key signature; a double-accidental is enharmonically equivalent to a full tone step), as well as microtonal extensions.

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Purpose of double-sharps and double-flats?

In a few pieces of music I have read through, I have come across double-sharps and flats. To my understanding, they are two semitones above/below the note indicated. What is, then, the point of these notations? Why don't you just write the…
Ian Cordle
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Why are there both sharps and flats?

If we can get away with just having sharps (aka black notes on a piano) then why complicate things and add flats as well? For example, if I have a C# why call it Dflat? Why not just leave it as C# and make things simpler.
user34288
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What's the difference between a G♭ and an F#?

I've heard it said that, whilst on most instruments these notes are played with the same fingerings/technique/etc., there is a subtle difference. This isn't specific to this particular note combination, but to all enharmonic equivalents. What might…
8128
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What does a small x-like symbol before a note mean?

I've been playing piano by ear for a long time and now I am trying to learn the first movement of the Moonlight Sonata. I am a little confused about the meaning of a little cross placed right before a note. It seems to cancel a sharp or something,…
Patrick Da Silva
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Does an accidental apply to all octaves?

I've been playing French Horn for 20 years, and thought I had most basic concepts regarding accidentals understood. But the other day I came across the following image via Wikipedia, which had me questioning what I thought I knew: Wikipedia…
Siyual
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Why is music theory built so tightly around the C Major scale?

Lately, I'm trying to study deeper into music theory, learning Intervals, key Signatures, Chords, Progressions etc. I can see that everything is built around the 'normal' notes that belong to the C major scale, and everything in-between is an…
yannicuLar
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What is the difference between sharp note & flat note?

In guitar or generally in any musical instruments, what is the difference between sharp notes & flat notes? For example : Are A♯ & B♭ the same? And are C♯ & D♭ the same? Does that make any difference in terms of the sound produced by…
ragmn
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Where do the double accidentals go in "theoretical" key signatures?

Recent questions led me to discussions of theoretical keys, which are defined by Wikipedia as keys with at least one double accidental in the key signature. (Unfortunately, the source of that definition is not given.) The key signatures on Wikipedia…
Richard
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Why do we need note names like B♭, D♭ etc.? Why not use only A♯, C♯ and so on?

The very same sharp/flat tones can be written in two ways: C♯ is the same as D♭ D♯ is the same as E♭ …and so on This is so confusing. What is the reason for it? Wouldn't it be easier to use only X♯ or only X♭?
Silver Light
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What is the difference between equivalent Flat and Sharp keys as far as musical notation? Are there any reasons to prefer one over the other?

I wrote a song in Db Major, but I could also notated that it would be equivalent to say C# Major as well. I am not well versed in musical theory and I think both are equivalent to each other and wonder if there are situations which there are…
tony.stack
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Collective word for sharps and flats in the key signature

On a mailing list I'm subscribed to, someone recently asked what the collective name was in English for the sharps and flats you find in the key signature. Apparently, the closest translation from several languages (German, Dutch, Russian) is…
duncanm
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Should one write ♯ or ♭?

In the staff, would one write enharmonic notes with # or ♭? Does it matter which you'd use and why? For example: In the key of C Major, would it be better to write this passage with an A#, as it is, or B♭? In short, what rules should one follow…
bzrr
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Is G sharp major a real key?

I'm mostly self-taught, so I don't know much in the way of theory beyond the basics. I have heard of G sharp Major a few times. I believe a scale in the key goes as such: G♯, A♯, B♯, C♯, D♯, E♯, Fx, G♯. Is this key real (as in, has it ever been used…
American Luke
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How to know whether to write accidentals as sharps or flats?

I am writing a bassline for a song in Em and there is a passing note A# or Bb in the approach notes. How do I write this note? Since the key signature has one sharp, is it best to write the accidental as A#?
armani
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If between E and F is a halftone, why can F not be an E♯

A ♯ raises a note by a semitone or halftone. I'm confused. If E and F are a halftone apart, why can't F be E♯?
LuisDavis
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