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I am wondering how are to be understood the following notes and how to play them on the violin.

  1. There is no indication of tremolo on the score. Nevertheless, should I understand this as tremolo on the quarter and half note ? How about the 16th notes which are marked each separately with an additional bar ?

enter image description here

  1. Below you see above a similar construction the number 3 above each of the quarter notes. Is it indicating the finger ? I know that sometimes the number 3 indicates a triplet but I dont think it is about a triplet here.

enter image description here

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ivo
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  • A question regarding a variation on the same notation: [How to interpret half notes combined with thirty-second stems?](https://music.stackexchange.com/questions/772/how-to-interpret-half-notes-combined-with-thirty-second-stems) – Aaron Oct 07 '20 at 05:34

2 Answers2

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These are tremolos.

The first extract is executed entirely in 32nd notes.

The second extract is executed entirely in eighth-note triplets.

  • Thanks. In the second ectract, why would be important to indicate it is about triplets, in other words will the tremolo sound different if one would omit the number 3 ? – ivo Apr 06 '19 at 11:44
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    With the triplets, this measure will contain twelve notes, each written note being played three times. Without the triplet, the measure will contain eight notes, each written note being played twice. If the triplet marking were absent, the quarter notes would not be dotted. This bar is in common time, 4/4. If it were in 12/8, the triplet marking would be unnecessary. –  Apr 06 '19 at 11:45
  • You are saying that without the triplet each not is played twice. As far as I know, when playing a tremolo you play a note as many times as it is possible within the duration of the note. Please correct me If am wrong. – ivo Apr 06 '19 at 12:05
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    @ivo - when tremolo is marked, the number if bars near to the noteheads is usually indicative of how fast the tremolo is expected to be played. – Tim Apr 06 '19 at 13:02
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Whether it is tremolo or not depends on the tempo. I mean how fast is the quarter notes? If the tempo is slow then you can play the 32nd notes exactly as 32nd notes. If the tempo is fast then it is tremolo.

A usual way to notate tremolo is to make the note values so fast in the relation to the tempo that it is obvious the composer wants tremolo. Thus if the tempo is slow the composer would write 64th notes in order to make sure that a tremolo is played, but if the tempo is fast the composer writes 32nd notes. Sometimes the composer writes the word "tremolo" if it is not clear from the tempo and he does want tremolo. But often it is not necessary. The composer can also indicate if he wants it exactly metered.

The triplets are supposed to be played exact, 3 notes on each quarter note, otherwise it would make no sense to write triplets. Note that the number 3 is tilted. Tilted numbers are standard for tuplets. If it was about fingering they should not be tilted.

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EDIT This edit is written a couple of days after the above answer was written:

@ivo posted a comment below and that calls for an elaboration on how to fully understand that type of notation. This is his comment:

Many thanks for your instructive answer. I still have a problem when it comes to playing the tremolo. On the first picture given the 4 notes in the second beat do you play them as tremolo (if the tempo permits) one after the other and then return and play again one after the other and so on for the duration of one quarter note, or you play each of them individually as tremolo for the duration of 1/16th each ? Thanks again.

Instead of trying to explain it with words I think an image will tell you much better how to actually interprete this kind of notation:

enter image description here

Lars Peter Schultz
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  • I wonder why this answer was downvoted. The answer is correct and relates to what is standard and gives a detailed view that wasn't told in the other answer. – Lars Peter Schultz Apr 06 '19 at 23:05
  • I also wonder why. Your answer seems perfectly reasonable. Pedantically, in some places people use *tremolo* for both measured and unmeasured repetition, which is contrary to the usage in your answer, but that is merely local and not worth a downvote. I have upvoted to cancel out the strange downvote. –  Apr 07 '19 at 00:24
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    I would add that voting on this site is not always easy to understand. I have written quite detailed answers sometimes, giving considerable effort to it, yet they attracted few viewers and only a couple of votes. I have also written very terse answers to simple questions, with little effort - like this one - yet they quickly attracted many votes. All we can do is shrug. –  Apr 07 '19 at 00:26
  • In a solo piano piece I wrote with quarter note = 72 bpm, I wrote 64th notes, found they still sounded distinct enough at that tempo, and meant them to NOT be played as unmeasured tremolo or grace notes. In a possibly related note, I once found 64th notes in Elgar's Pomp and Circumstance March No. 2 in A Minor--a piece normally taken at quarter note = 112 bpm or faster. Since Elgar writes grace notes in his Pomp and Circumstance March No. 3 in C Minor, I believe his use of 64th notes is purposeful, and I believe he means those notes to be measured. – Dekkadeci Apr 07 '19 at 06:18
  • @Replete thanks for that. I play the violin myself and know many violin players. It is common to regard the term "tremolo" as meaning un-measured or un-metered repetition, but it can of course be metered if the tempo (the beat or pulse) allows it. – Lars Peter Schultz Apr 07 '19 at 21:28
  • @Dekkadeci I think you touch a known problem that many orchestra musicians encounter in situations where the quarter note tempo is at a speed where the question "should the 32nd notes be played measured un-measured" is very relevant. I guess it will be up to the conductor to decide. – Lars Peter Schultz Apr 07 '19 at 21:29
  • I downvoted because you wrote a lot of qualitative (opinion/ interpretation) text which will mislead newcomers. There is a very strict interpretation of one or two slashes. Please see Dolmetsch online symbol page. – Carl Witthoft Apr 08 '19 at 13:18
  • @Carl Witthoft, The OP asked how to play it. My first paragraph tells whether to play 32nd notes measured or not. If the tempo doesn't allow measured you play them unmeasured. Not much left to opinion. The next paragraph underlines it by telling how the composer can make sure that it is clear what (s)he wants. It also touches the situation where it is not clear. There can be countless number of discusions amongst musicans if it is not clear. In the third paragraph I answered the OP's question on the number 3. Tuplets are written tilted, fingering not. That is a normal standard, not an opinion. – Lars Peter Schultz Apr 08 '19 at 18:34
  • @LarsPeterSchultz. Many thanks for your instructive answer. I still have a problem when it comes to playing the tremolo. On the first picture given the 4 notes in the second beat do you play them as tremolo (if the tempo permits) one after the other and then return and play again one after the other and so on for the duration of one quarter note, or you play each of them individually as tremolo for the duration of 1/16th each ? Thanks again. – ivo Apr 09 '19 at 14:48
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    @ivo I have answered your question by adding an image to my post above. I find that better than trying to explain it in a comment. – Lars Peter Schultz Apr 09 '19 at 22:06
  • @Lars Peter Schultz. Many thanks for the distinguished answer. No room left for doubt. – ivo Apr 10 '19 at 23:25
  • So the rule is a single crossed note is played as eighths, a double crossed note is played as sixteenths, etc. What if a sixteenth note has a single crossbar on its stem? Would that be some kind of error? – richard1941 Jan 18 '20 at 23:50
  • @richard1941 Regard the "crosings" as beams. Eight notes have one beam, so a single crossed quarter note means eight notes because there is one beam. A sixteenth note has two beams, then if there is a single crossbar on the sixteenth note you have added another beam so there is now a total of three beams. See the image in my post. That should clarify the matter. – Lars Peter Schultz Jan 18 '20 at 23:57