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I would like to know what to call the rhythmic style of the pattern below. (The notation is my own, so it may not be exactly the way it should be written.)

example of march-like right hand rhythm with opposing left hand rhythm

It has a Latin feel to it, but is also very reminiscent of the first bar of Rachmaninoff's Prelude in G Minor (Op. 23 No. 5), whose notation uses half the note lengths (eighths instead of quarters etc.).

What I'm interested here is not some kind of analysis, but a label that could be used for this rhythm. like e.g. "Calypso".

Evgeniy Berezovsky
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  • Well, the right hand, with staccato offbeats and the pair of eighth notes, seems very idiomatic of reggae to me. Delay the second eighth note slightly (in reggae’s version of “swung eighths”), add reverb, and there you go. – Andy Bonner Sep 26 '21 at 12:47
  • Nah, for reggae, the bass goes too consistently on the strong beats, and ♩=200 is way too fast. This rhythm could well accompany a relatively slow polka (though that would rather be notated in 2/4 with ♩=100), but it's too generic to nail it down to that. It would depend on the melody and playing-feel. – leftaroundabout Sep 26 '21 at 19:36
  • @leftaroundabout If I wrote it like Rachmaninoff, those two bars would become one, and we'd have ♩=100. (No difference to the ears, of course.) Would that make it qualify as reggae? (It does not affect the question of "bass on strong beats", though) – Evgeniy Berezovsky Sep 26 '21 at 23:26
  • I've voted to reopen. We routinely answer this type of question for the lifetime of the site. For example: [What is the name of this rhythm? (embedded 4:3 polyrhythm)](https://music.stackexchange.com/q/115145/70803); [Name for this common rhythm in Latin music?](https://music.stackexchange.com/q/111884/70803); [Name and structure of staggering beat in Ramones' "Merry Christmas"](https://music.stackexchange.com/q/109421/70803); [Is there a name for the dotted eighth - sixteenth rhythm pattern?](https://music.stackexchange.com/q/24707/70803); (cont.) – Aaron Sep 27 '21 at 17:17
  • ... [Does this rhythm (dotted 8-16 8 8, hot po-ta-to) have a name?](https://music.stackexchange.com/q/12265/70803); [What's this rhythm called?](https://music.stackexchange.com/q/9391/70803); [What is the name for this rhythm?](https://music.stackexchange.com/q/5329/70803) – Aaron Sep 27 '21 at 17:17
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    Agreed, vote to reopen, although I suspect the answer is "no, there's no particular term for it." I don't know that for sure. The main feature here is what I've heard referred to in Old-Time circles as "boom-chick"—bass on strong beats, treble on weak, which forms the backbone of so many idioms like polka. I wonder, if the question were broadened to "is there a word for that kind of metric distribution of treble and bass," whether that could be easier than pinning it to a genre. – Andy Bonner Sep 27 '21 at 17:51
  • @leftaroundabout I think if we dropped the bass on the first beat of the second bar it would become more reggae-esque. – Evgeniy Berezovsky Sep 30 '21 at 09:06

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"Reggae" was suggested in comments. I think that would be the reggae "skank" rhythm of staccato, repeated eighth notes, or staccato quarter notes on beats 2 and 4. But, reggae isn't just a rhythm pattern. Harmonically this example is nothing like reggae.

I think this pattern could be found in too many contexts to give it a clear label. You might need some more music to label it. Debussy's Golliwog's Cakewalk has a similar rhythm in the vamp right after the opening flourish, I think it's mm. 8 & 9, but it's notated in 2/4. It's probably too slow to call it a foxtrot, but it's a rhythm that could work as foxtrot accompaniment. It could be a march, just rebar it for 2/4 if you expect a march to be only in 2/4.

Harmonically it sounds modern, maybe like Stravinsky or the Weill's Three Penny Opera.

Michael Curtis
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