How does the West African heritage in Caribbean music compare with the European influence in Caribbean music?
I did research on this but couldn't really understand the european influence.
How does the West African heritage in Caribbean music compare with the European influence in Caribbean music?
I did research on this but couldn't really understand the european influence.
Good point; "harmonies and melodies" does need more explanation (after all, those are just elements common to many music-cultures). I think you'll need something to go on; this book seems useful (especially Part 1): https://www.google.com/books/edition/Focus_Music_of_the_Caribbean/x0W4DwAAQBAJ?hl=en&gbpv=1 (since some pages are omitted on Google preview, find a real copy if you can).
It will probably help to focus more narrowly. For instance, if we're talking about "heritage," we're probably thinking mostly about the era of colonization and less about the modern era. It could also help to think about how European music and West African music were different (especially at the time). You mentioned harmony, which is one big difference. In the European tonal tradition, "harmony" is pretty important; ever since medieval chant, little Western music involves just a lonely melody with no "chords" or other voices (and when it does, it implies them). But many global music-cultures prioritize "monophony," or what Western context might call "the melody."
From the opposite angle, African musics (and West African especially) are rich in polyrhythms. I suspect tracing the rhythmic influences in Caribbean genres would be an easy way to point to African origins.
You might also get some good insights by asking yourself what instruments are being used, and where those instruments came from. Are there plucked-string instruments derived from the Portuguese vihuela? Are there marimba-like instruments derived from the West African balafon? (I don't know, just speculating.)