I heard that trumpeters in a mariachi band are not allowed to pick up the trumpet until they have mastered playing with just the mouthpiece. How would I go about replicating this technique of mastering playing with only the mouthpiece? Are there any good exercises available?
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Hi, "I have heard...." is not a good way to open a question. Do you have any solid citations, either from musicians involved or printed "rules for admission" - like things? In the meantime, Talk with a trumpet teacher. I bet you'll find that mouthpiece-only practicing is strongly encouraged for **all** students. – Carl Witthoft Jul 29 '20 at 17:14
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Practice on mouthpiece alone is an outstanding way to develop trumpet playing. Here are some suggestions for approaching it.
- Hold the mouthpiece as loosely as possible so as not to pull it back against lips and teeth. I recommend thumb and ring finger if it's comfortable for one's hand. Try balancing the mouthpiece between the fingers rather than pinching it.
- Start with long tones. Begin at whatever pitch comes out naturally, then work gradually lower, then higher. There are several aspects to work on over time. a) Sustaining a steady pitch; b) A clean release at the end of the pitch — if the pitch is about to drop, stop there; c) A clean attack, so that the pitch begins immediately without fuzz, scoop, or a pinched sound.
- Once a long tone can be sustained at a pitch, add in crescendo and decrescendo. Make them as long, slow, and steady as possible without change in pitch.
- As one's tone develops, work on "sliding" through the entire comfortable range, both downward and upward. Starting from a middle pitch is best, especially early on.
- When your "slide" gets comfortable, begin to better differentiate pitches. For example, make it sound like a major, minor, or chromatic scale. No tonguing at this point, though, just sliding.
- Once the "slide" pitch definition is reasonably solid, start tonguing. Make sure that each pitch has the same clean attack, sustain, and ending as in the long-tone practice (see #2 above).
- Interval practice. Both tonguing and sliding. Practice intervals of each size, ascending and descending, at various points in one's range.
- Practice whatever music is on hand, mouthpiece alone: Arban, Clark, Stamp, Solo pieces, ..., whatever is lying around. If it sounds like music on mouthpiece alone, it will sound good on the trumpet.
Aaron
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