of a motor driven fast which seemed to stop close to them. Instinctively Joy tried to draw away from her lover; such is woman's impulse. But Athlyne held her all the tighter—his embrace was not all love now, but the protection which comes from love. She understood, and resigned herself to him. And so they stood, heart to heart, and mouth to mouth, listening.

There was a clatter of tongues in the hall. Joy thought she recognised one voice—she could not be sure in the distance and through the closed door—and her heart sank. She would again have tried to draw away violently but that she was powerless. Her will was gone, like a bird's under the stare of the snake. Athlyne, too, was in suspense, his heart beating wildly. He had a sort of presage of disaster which seemed in a way to paralyse him.

There were quick steps on the stairs. A voice said: "There" and the door rattled. At this moment both the lovers were willing to separate. But before they could do so, the door opened and the figure of Colonel Ogilvie blocked the entrance.

"Good God!" The old man's face had grown white as though the sight had on the instant frozen him. So pallid was he, all in that second, that Joy and Athlyne received at once the same idea: that his moustache, which they had thought of snowy whiteness, was but grey against the marble face.

The father's instinct was protective too, and his action was quick. In the instant, without turning his face, he shut the door behind him and put his heel against it.

"Quick, daughter, quick!" he said in a whisper, low but so fierce that it cut the air like a knife, "Get into that room and dress yourself. And, get out if you can, by another way without being noticed!" As he spoke he pointed towards the open door through which in the darkened room the bed with clothing in disarray could be dimly seen. Joy fled incontinently. The movements of a young woman can