with his train, and eyeing with all the boldness

of royal criticism the beauties who adorned the lofty galleries.

Those who remarked in the countenance of the Prince a dissolute audacity, mingled with extreme haughtiness and indifference to the feelings of others, could not yet deny to his countenance that sort of comeliness which belongs to an open set of features, well formed by nature, modelled by art to the usual rules of courtesy, yet so far frank and honest that they seemed as if they disclaimed to conceal the natural workings of the soul. Such an expression is often mistaken for manly frankness, when in truth it arises from the reckless indifference of a libertine disposition, conscious of superiority of birth, of wealth, or of some other adventitious advantage, totally unconnected with personal merit. To those who did not think so deeply, and they were the greater number by a hundred to one, the splendour of Prince John's rheno, (i. e. fur tippet,) of his cloak lined with the most costly sables, his maroquin boots and golden spurs, together with the grace with which he managed his